Janet currently has no bird original watercolors for sale, but . . .
she offers wonderful original stone lithographs that feature birds:
JANET L. WISSMANN









many people keep as pets. The Yellow-fronted Amazon at left required the use of sap green, Hooker's green, and cadmium yellow, while the Scarlet Macaw gave me some experience with cadmium red and alizarin crimson.
Scarlet Macaw, I decided to paint him from the back. The foreshortening of the wing feathers added a bit of drama to the composition, and the tipping of his head allowed his face to be shown as well. By painting him in this pose, I got my chance to use just about all the colors in the rainbow. Colors here included cadmium red, alizarin crimson, sap green, Hooker's green, cerulean blue and ultramarine blue. There's a touch of cad yellow in there too.
"The Blue and Gold Macaw's pose came about out of necessity. This bird is a feather-plucker! As many pet bird owners know, some pet birds develop a behavior disorder where they pick out their own feathers, a disorder they often have for their whole lives. This macaw's entire breast was bare of feathers! So, in order to show his "best side", I had to paint him from the back; the other option would have been to paint in those missing front feathers. But if I had done that, would the owner have recognized her own bird? Possibly not!
African Gray Parrot. Yes, it was pretty much back to mundane grays and blue-grays for this one. But this bird made up for it by being a real character. It turns out that one of his favorite things was to hold an ice cube in his foot. Right. No, left. No, right. Oh, I have no idea why he enjoyed it, but it did serve to give his humans a source of constant amusement. So this is the way I portrayed him in the painting.
"While the painting was still in the compositional stage, the owner added one more bird to her flock. She sent me a photo of the fledgling's profile, so I added it at the bottom of the painting. I think the final composition turned out quite nicely."
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Wow! There is nothing as bright and colorful as a Sun Conure! Two Sun Conures at the zoo in Milwaukee, Wisconsin, inspired this watercolor painting by Janet Wissmann. Birds like this prompt Janet to paint with colors that she rarely gets to use with dog and horse art: cadmium yellow, cadmium orange, and sap green. She had some fun with textures, dropped wet in wet, and encouraged the very dynamic payne's gray to bleed and blossom a bit.
Note the dark blue in the upper right corner. This is Payne's grey -- a mixture of ivory black and ultramarine blue. The ultramarine blue component is well known for its reactions while painting wet in wet, and when a bit of pure water is dropped into an area of wet Payne's gray the artist is rarely disappointed. The intensity, size, and direction of the blooms can't be predicted with precision. This unpredictability is one of the main facets of transparent watercolor's timeless appeal. If you look even more closely, you can see a bit of the lovely granulation for which Payne's gray is also famous.
True to form, there is no white paint in this watercolor painting. Even the white of the tail feathers' midveins are just the white of the watercolor paper left unpainted.
